Bannzil Kiba Kreyòl:
An Enriching Cultural Experience
A Look at Haiti- 2003
Reversing
the Brain Drain:
The Haitian-American
Skill Share Foundation
Cultural Revolution
of 2004: IDENTITY
Edwidge Danticat:
the butterfly's way
Louis Harold
Joseph:
Quietly Made His Mark
Beethova
Obas
Emeline
Michel

Haitian
Embassy
Japanese
Embassy
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The Bridge
from Haiti to Japan
by Jean-Michel Mathurin
and Katya Charles Barrett
When you think of the charm of the Caribbean being
shared abroad you think of many countries and cultures but has Japan ever
been one of those places that might also be seduced by the sultry sounds
of the Pearl of the Antilles? Well thanks to an extraordinary individual
The Land of Rising Sun is slowly falling into the hypnotic trance of Haiti.
With
each beat of the drum, Japan is becoming a new frontier for Haitian art
and artist alike. Being geographically far from the Caribbean, Japan is
now an oasis for the budding taste of Haitian culture. Like the Pied Piper
of long ago there is one man paving the way for Haitian culture in this
distant land.
Haiti recently celebrated fifty years of diplomatic
relationship with Japan. Much of that alliance however, was merely symbolic
and not as strong as we would have liked. Due
to this, the Haitian government made a conscience decision to solidify
that bond by sending an ambassador to Japan. What would this individual
actually do in Japan was not quite clear yet to him or his superiors but
it would at least be a beginning to a renewed link of the two cultures
separated by more than the oceans.
His
Excellency Marcel Duret, was dispatched to Japan in 1991 as a Charge D’affaire
and with that became Haiti’s ambassador to Japan. Mr. Duret quickly
found himself in a challenging position within three weeks of his portfolio
being accepted Haiti’s government had experienced a coup. Being
this was his first encounter in a diplomatic post he had no idea on what
to do, after all, his previous position had him working with several groups
to empower the working class back in Haiti. As Mr. Duret waited for further
instructions from his home base it became apparent that he had to do something
to occupy his time and so he chose to fulfill his duties as an ambassador
until otherwise advised. Realizing that he was definitely far from home
and the only Haitian in the embassy with a tight budget he did what businessmen
do best. He opted to sell the Japanese the rich and diverse culture that
he had always known to be priceless. As he jokingly pointed out “I
could not give them much information because for the most part they knew
more than I did.” He then began this ambitious quest to promote
Haitian culture in Japan and with that started a journey for many Haitian
artist, who are grateful for Mr. Duret’s pioneering efforts as one
of the greatest ambassador of Haiti in our time. His efforts have opened
the door for these artists to share their wealth of culture with the Japanese.
It is not uncommon to see a picture of the famous Haitian conga player
Azor in a Japanese newspaper or to see a poster of Emeline Michel to be
appearing in a festival at a busy Tokyo station. The list is extensive
from Beethovas Obas to writer Edwidge Danticat to playwright Frank Etienne
not to mention Bookman Experience, Boukan Ginen and many more.
The Haitian music is one aspect in which the Ambassador has skillfully
infected the Japanese people but the art is the most visually stimulating.
Haitian art has emerged to be one of the biggest selling forms of art
on canvas in Japan. Haitian art pieces have sold for the equivalent of
$25,000 in U.S. currency at auctions there. The
Ambassador with the help of his Japanese assistants, for the most part,
organizes these auctions. This six-foot plus black man with a mature pepper
gray hair, maneuvers around Tokyo as if he were in Port au Prince or maybe
New York, with the same ease and confidence as the locals. Fitting well
into his new environment he is barely noticed even though he is usually
the only black male for blocks at a time. He does confess to speaking
some Japanese but being in his presence there is a feeling of him being
more fluent than he admits. The Ambassador is enthralled by his work and
his enthusiasm is evident as he is constantly on the move. EchodHaiti.com
recently spent the better part of a day with the Ambassador and after
a quick chat on the phone his chauffeured driven car pulled in to the
hotel. Recognizable as he is the only colored man in the lobby he opens
his arms to welcome me as if we had been friends from long ago. It was
not very long before I was invited by the Ambassador to join him on a
trip to Fukuyama, a city approximately four hours away from Tokyo. As
we wind our way through the bustling streets of Tokyo I questioned him
on what he hopes to accomplish from all of this. “My hope is that
our culture will become something that helps us open doors with a smile,
as oppose to other negative concepts about us and our country.”
Through the window of his car I couldn’t help notice that even though
I was more than a day away from where I came from it felt as if I were
driving through Port au Prince. The Ambassador continued with his jokes
and consistent charm as he shared stories about Bookman Experience being
his first invited guest to Japan. Most assuredly all his guests stay at
his home upon arrival. Arriving at the bustling train station appropriately
called Tokyo Station; I found myself walking briskly in order to keep
up with the Ambassador who does not ease his pace.
The
following morning, there were meetings with mayors of the city and school
board officials eager to teach young Japanese children about Haitian art
and culture. His phone never ceases to ring “Mushi, Mushi”
as he proudly responds. With the conversation changing from Japanese to
English it is obvious that this man loves what he does. Another day in
his office (The Haitian Embassy) several Japanese assistants answer the
phone conversing in Japanese, French and English. Amidst this frantic
scene are Japanese businessmen waiting in another room to speak to the
Ambassador about his plans through an interpreter. There is also a French
photographer waiting, who has recently published a major article on Haitian
culture and voodoo in the famous magazine Marie Claire which, is published
in Shanghai. The
office takes on a life of it own as all of these individuals dance to
the Ambassador’s tune. He is the focal point of the entire buzz
and action in Japan concerning Haitian culture.
Long after all the assistants have gone and the phones have somewhat quieted,
Mr. Duret is still in his office, this time displaying his latest project;
a movie, which is a collaboration of a Japanese and Haitian artist. The
titled of this soon to be released film is “Haiti Coeur Battan.”
As if this were not enough, on his desk several CD’s have collected,
projects he has produced with Japanese and Haitian artist. Forever bridging
the cultural gap between Haiti and Japan the Ambassador works passionately
on all of his projects. Thinking of a good description for Ambassador
Duret is virtually impossible due to the fact that there is no word to
adequately describe an individual of this magnitude. Although Ambassador
Duret hints that he won’t be doing this for much longer, one gets
the impression that whatever he does after this will only be icing the
cake. He has opened the doors and paved the way for his predecessor and
hopefully they can size his shoes before attempting to fill them.
© EchodHaiti.com,
05/2003
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